In Judo, the intent and objective is to throw your opponent to
his back. In Godo, however, techniques have been left in their pre-Judo
forms, and often are designed to land uke on his head. It's correctly
believed that this will be a more crippling form of the technique,
as ancient Japanese history records many battlefield deaths from
broken spines.
As well, Gichin Funakoshi, known today as the originator of Shotokan
Karate, gave a demonstration in Tokyo in 1922 that was attended
by Jigoro Kano. Kano was so impressed that he asked Funakoshi to
come to the Kodokan and teach some of his Karate Kata. Kano was
greatly impressed with the power demonstrated by Funakoshi, and
asked him if he would head up a Kodokan "Karate Division".
Funakoshi declined, fearing that his Karate would be swallowed up
in the much larger Judo organization, but Kano learned and adapted
much of the power of Shotokan Karate into the newly emerging Godo.
In Judo, techniques are broadly organized into three distinct areas:
Tachi Waza - Standing Techniques
Katame Waza - Ground Techniques
Atemi Waza - Striking Techniques
In Godo, there are distinct differences:
Tachi Waza - as previously mentioned, the intent in Tachi Waza
is different, the aim being to land uke on his head. Mats are not
utilized in the same way as in Judo, but headgear and crash pads
are a necessity for practice.
Katame Waza - almost totally changed from Judo, they borrow much
from Aikido, preferring to place their opponent face down, rather
than on his back as in Judo. An elbow strike to the center of the
back is one of the preferred techniques to 'finish off' a downed
uke... although as in Judo, care is taken not to injure training
partners too much.
Atemi
Waza - Greatly expanded over normal teaching in Judo, Godo's atemi
waza has been greatly influenced by Gichin Funakoshi's Shotokan
Karate. It was modified by the experiences of Japanese Godoka who
had been to China, and in technique, most closely resembles those
Okinawa Karate styles most influenced by the Chinese arts. A makiwara
is one of the major training devices utilized.
In general, Godo techniques are categorized into two
major subdivisions, crippling techniques and killing techniques.
Unlike Judo, for example, there are no Kansetsu waza restrictions
- the knee is considered in the 'crippling' category, and the neck
and spine locks are considered killing techniques. For obvious reasons,
no examples will be given of these techniques, although I might
note that there are a very few Judo books that still contain some
of the fundamental locks against other than the elbow.
Weight training is greatly utilized in Godo, and strangely enough,
one of the few 'textbooks' that Godo uses is Ishikawa & Draeger's
"Weight Training Methods of Kodokan Judo". Interestingly
enough, this book was recently re-released...
I was recently given permission to publish a few rare photos of
Godo techniques. To my knowledge, this is the first time Godo techniques
have been photographed and shown to the public.
To protect the identities of the Godoka, I have blurred the faces
and eliminated the background. Because this dojo is also used on
alternate days for Judo practice, it was necessary to prevent anyone
from recognizing it. This particular dojo get visitors from around
the world during their Judo classes, and the Godoka who practice
here don't want any publicity.
The photo to the right here will be recognizable to any Judoka
as a standard Judo throw - Tai Otoshi. Interestingly, it's
also known by this name in Godo, despite the subtle differences.
Experienced Judoka will immediately note the differences that distinguish
this from the form used in Judo. I'm sorry that I can't go into
any further detail.
Here we see a Godo technique known as Ura Tobi Jime... although
many Godoka refer to this as the "Flying Monkey".
I regret not being able to show the setup moves for this technique
- as it might conceivably be legal in Judo shiai, and those who
practice Godo would naturally prefer to keep at least some of their
techniques out of the hands of the possible competition.
Although with the advent of Mixed Martial Arts - it's quite possible
that someone will figure out the setup, and then this technique
will no longer be hidden.
Please note that to my knowledge, this is the first time a photo
has ever been released for this technique.

Here we have a technique known in Godo as Jigoku Guruma. This technique
is generally not practiced without a crash pad, due to the hard
fall taken by uke.
Again, I regret not being allowed to show the setup for this technique,
but I can assure you that your eyes don't deceive you - it really
does require a great deal of flexibility and power.
For many Judoka, it's commonly said that Uchimata Makikomi is one
of the hardest techniques to take a fall for. In Godo, this is the
technique that uke's hate taking a fall for.
Be sure to note the particular grip being used here, which is identical
for Yama Arashi, Shiro Saigo's signature technique. Jigoku Guruma
is not related to Yama Arashi, however.
The blue gi's being worn are actually Judo gi's, as these Godoka
are also hold rank in, and practice Judo. Although I have not received
permission to list their names, they know who they are; and I'd
like to publicly thank them for allowing me to photograph them demonstrating
these typical Godo techniques. All of these Godoka are regular competitors
in Judo competition, so if you compete in the United States, you
may even have met these martial artists.